Description of visit to the tart and the vicars wife

So as I was told I met Peter Tate at the borough road entrance. He took me into the civic theatre and to the dressing rooms as usual. With the show that I visited this time the props on the stage were brilliant. They had set the whole stage up to look like the interiors of a vintage old cottage. After checking out the stage I went back to the dressing rooms. I found that with this show there wasn’t as many actors as there was in the full Monty and all the scenes from what I saw they were all sat around a table drinking coffee and having a chat.

Over all I took as many images of the actors getting ready as possible, and I took images during the show, although there were no changes to the scenes and props. But reflecting on this show I went to try to yes get some more work although I have lots already, but mainly went for the experience and practice. What I mean by that last sentence is that it is very difficult to photograph in a theatre. In my next post I will explain the problems that I experienced.(this trip the tart and the vicars wife was to perfect my ability of photographing in the theatre with the problems that arise)

Here is some information i wanted to include about the show this explains what the show is about:

Ian Dickens Productions presents the revival of the smash-hit comedy The Tart and the Vicar’s Wife which has not been on tour since the 80s. Starring Linda Armstrong (The Royal), Matt Healy (the bad boy of Emmerdale), Marcus Hutton(Brookside) and Sarah Jane Buckley (HollyOaks) The Tart & The Vicar’s Wife is an hilarious evening’s entertainment intertwined with a topical ‘credit-crunch’ theme that will strike a chord everybody.

Glenda and her husband Robert Parry were the archetypal successful couple; him an affluent businessman, her the glam ‘exec’ wife with all the trappings of wealth, until Robert decides to devote his life to God and become a vicar after being delivered unscathed from an horrendous car crash. Glenda consequently finds herself thrust into a complete transformation, struggling to make ends meet and dealing with her new identity crisis.

When Robert leaves for a four-week seminar, Glenda turns to her friends for support, all of whom are in similar financial distress. Whilst Robert is away the action is constantly interrupted by the appearance of the vicar’s curate, Henry, to great comic effect. When a millionaire lottery winner turns up to seek the reverend’s help in exorcising his haunted manor house, he meets Glenda and her friends who end up baring their souls to him and discovering just how far they will go for money!